"I think she's such an amazing actor, I really do. I really think that she's an extraordinary presence on camera. She came to acting much later than I did, but she just has such great instincts. I am really intrigued by what she'll be able to do with transformations. It's a little bit that she's gotten to do to show me what potential she has to play a really wide variety of characters, and she has a great ear. That's clear in 24, just what she did with Farsi and Russian, different things that she did right off the bat that made the character powerful and dynamic and bone-chilling." - Xander Berkeley
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KATRINA: I just wanted an American-style romance... like in the movies... like Audrey Hepburn and Cary Grant. - "The Third Date"
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"Sarah Clarke on season 2" 24: the Official
Companion season 1 and 2 (2006)
by Tara DiLullo
When Nina Myers was carted off to prison for treason and tha
murder of Teri Bauer at the end of season one, audiences knew it
would be just a matter of time before she returned to confront
Jack Bauer once again. For actress Sarah Clarke, stepping back
into character for this arc was exactly what she was hoping for.
"After this season, you realize, on a show like this, that
storylines can get extended to such a point that they become
ridicolous. I was just getting to the stage of feeling the
repetition of, 'Where's Jack now and how can I help him?' and
then I was the mole, and that gave me a whole new thing. When
they told me I was coming back, I knew that my story was going to
be amazing because, however I was coming back, it wasn't going to
be extended or lingering, so you get a concise, great story. The
fact that I was in prison ws exciting. Plus, the whole journey of
playing Nina was such a departure from anything I'd played si
far."
From her dramatic, shackled return to CTU to her stone-faced
reunion with Bauer in the interrogation room, the episode
crackled with energy. "I had the most fun in the second
season because I really loved the storyline," Clarke says.
She also got to explore new level of tension with Kiefer.
"It's really lucky when you have a story where so many
things are unsaid between characters. As long as you trust the
energy of the other person, it's all going to translate. We both
respected each other enough to let the other do their thing. It's
almost like two big cats in a room. I knew that Nina's best tool
was what she knew, and I knew to be kind of like a cat, very
still. I'm so small physically, I remember thinking it would be
so ridiculous to be shackled, like I could really break away from
these huge guys," she laughs. "But I also remember
thinking I had to puff myself up with confidence. It was the only
way I could survive because there really was no way out for
Nina."
Sarah Clarke actually learned Arabic for the scenes where she had
to communicate with Faheen. She says, "As hard as it was at
first, I had a great coach and it gives you a whole other layer
and a sense of place and person that you can't fake."
The tension-filled sequence in the CTU plane, leading to Nina's
brutal killing of Faheen, remains one of Sarah Clarke's favorite
moments in the second season: "I loved the airplane scene!
The sequence where I killed Faheen with the gift card was so
complicated. I remember the actor playing my bodyguard on the
plane marveling, because, at one point, we have this conversation
going on betweem Jack and his daughter nad Mason; then we have my
Arabic going on with Faheen. There was no way for the director to
cue us because I was supposed to be saying these things that are
being translated, so everyone had to be doing this weird
listening. Meanwhile, Faheen has no idea what is being said. I'm
shackled and I had to lean down and tap his knee to cue him to
get really upset. I remember my bodyguard was going, 'Whoa,
there's all this communication going on and I have no idea what's
happening!'
"Those scenes in particular are when Kiefer is really good.
What I loved playing in Nina was when Jack would get really mad
and I would get even more liquid and pay it blasé, and it would
just get him even angrier," she laughs.
Knowing the Nina arc would be quite potent, executive producer
Howard Gordon admits bringing her back was more of an idea than a
plan. "The details of how we brought her back weren't as
organic as the need to bring her back, because she was clearly a
piece of unfinished business for Jack. The challenge though was
finding a really good way to dispatch her. Jack killing her in
cold blood, which he did in an early draft of the script, didn't
feel satisfying. For the resolution in the second season there
was no good way to do it, so we had Jack whisper thus cryptic
thing, and no one ever knew what he said... apart from
Kiefer."
Special effects coordinators Stan and Scott Blackwell are the man
behind all the complicated gunfights staged during the series.
When a round is shot or a bullet hits someone, it's Blackwell
brothers who make it look realistic. One of the most interesting
moments was during the tense standoff between Nina and Jack after
the plane crash.
"Nina has the automaatic weapon and she says she will kill
him. Jack says, 'I'm already dead' and walks away, so she shoots
the bushes next to him. So I set up a bunch of hits in the bushes
and afterwards Kiefer goes to me, 'Nice timing, Stan' and Sarah
just looked at me and said, 'Nice timing on what?' I said, 'That
was me setting off those hits in the bushes.' I think she thought
for a minute she had a real weapon and had done it herself! But I
wasn't going to give her a real machine gun when she had never
shot a gun before!" he laughs.
For her part, Clarke says she got her biggest injuries during
Nina's takedown. "It was a very rocky terrain and I had
absolutely no padding on. We didn't know how it was going to go
down, and we didn't even really talk it through, but I knew it
was going to be violent. When I got shot and had to scramble for
the gun, it was all adrenaline. We did one take and I was like,
'Ow, my knee!' I remember by the third time, I was saying, 'I
can't do it again unless I get padding!'" she laughs.